Tag Archives: Lee Yo Won

49일: An Exploration of Empathy

“There is a pain that you cannot truly understand until you have experienced it yourself…” So runs the dominant theme in the beautiful, unexpectedly humorous, yet haunting  49 Days featuring the exquisite Lee Yo Won and the blithe Nam Gyu Ri. Indeed, it is empathy, or the lack thereof, that is at the core of each of the stories woven together to create the tapestry that is 49 Days. It is through empathy that the … Continue reading

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선덕여왕 (The Great Queen Seon Deok)

“Chess” may be the word best suited to conveying the drama of open-faced intrigue and gamesmanship that is 선덕여왕 (The Great Queen Seon Deok). The war between Princess Deokman (the future Queen Seon Deok) and the formidable Mi Shil for control of Silla is the stuff of epic. And perhaps because our contenders are both women, heroic prowess is here not framed in terms of brute force and naked aggression, but rather through strategic craft … Continue reading

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황금의 제국 (Empire of Gold)…

Among all the sins a man might commit, betrayal – a species of fraud – ranks among the most ethically abhorrent. The key to understanding the gravity of the sin of betrayal, and the crime of fraud, is the fundamental role of trust in the organization, function and governance of society. In Aristotle’s model of the ethical spectrum whereby human relationships range from the primarily transactional (business and trade) to the largely … Continue reading

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Playing Favorites… the KDrama and Film ‘Must See’ List

Long overdue is the time to tip the nib of my (virtual) pen to those dramas and feature films to which I have been awarding my highest rating, three stars.  If you wish to see a comprehensive list of titles I’ve explored since setting off on this adventure, you may find it in “Curio in KDramaland… (or, Through the Sageuk Lens)“. You will also find the key to the asterisk and numeric annotation. … Continue reading

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Curio in KDramaland… (or, Through the Sageuk Lens)

I have been contemplating the virtues of the well made sageuk and what its persistent appeal to me (and maybe even to other viewers) might mean. Surely, something… It turns out that while I apparently have watched only one third as many sageuks as contemporary fictions (from comedies to melodramas and everything in between), I am more disposed to want to collect historical dramas than I am contemporary fictions. When it comes … Continue reading

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