Dae-Gil, Lee Geon, Ddol-Bok, Go-Ni, O-Joon, Ki-tae, Ji-Koo, Joon-Ki Do-Hyun, Moon-Soo, Kyeong-Su, Min-Soo, Gi-Seo, Chul-Min, Hyun-Woo, Myung-Woo… A multitude of different lives, each quickened by a single soul; His tempered voice the song of Faith, His hooded eyes the face of Hope. A tear, a smile, a rumbling sigh that let us stop for just a while to watch with love as Park Jae-Young claims his right to be 무영 (無影) Mu-Young … Continue reading
School of Comedy After the finale of that most enchanting of romantic comedies, 운명처럼 널 사랑해 (Fated to Love You), I found myself, like many fellow aficionados who had been absorbed in the story of Lee Geon and Kim Mi Yeong, uninterested in watching any other productions despite KDrama’s abundant offerings, including titles on my “to watch” list. I remember something like this happening once before when, after my initial introduction to, and frenzied consumption of KDrama, my appetite for … Continue reading
Every once in a blue moon something comes along that has you so entranced, so engaged, so… moved… that it leaves you at a loss to comprehend just what is happening to you. As you try to make sense of it, it sparkles and shines with every gesture. Words issuing from it are musical pearls of poetic truth that imbue the very air with a richness never before imaginable to your dopamine-saturated mind. Thus … Continue reading
I have long wanted to examine pragmatic altruism in KDrama narratives, a trope which exemplifies certain Confucian ethical tenets, yet is repeatedly deprecated as “noble idiocy” at interweb oases where KDrama aficionados gather, including DramaBeans, the go-to resource for KDrama news, recaps, and commentary. Finally compelled by this summer’s revelatory 운명처럼 널 사랑해 (Fated to Love You), a romantic comedy at once loud and subtle, playful, sly, culturally erudite and deeply moving –whether in mirth or in woe– … Continue reading
…to accurately describe 운명처럼 널 사랑해 (Fated to Love You)…
Long overdue is the time to tip the nib of my (virtual) pen to those dramas and feature films to which I have been awarding my highest rating, three stars. If you wish to see a comprehensive list of titles I’ve explored since setting off on this adventure, you may find it in “Curio in KDramaland… (or, Through the Sageuk Lens)“. You will also find the key to the asterisk and numeric annotation. … Continue reading
I have been contemplating the virtues of the well made sageuk and what its persistent appeal to me (and maybe even to other viewers) might mean. Surely, something… It turns out that while I apparently have watched only one third as many sageuks as contemporary fictions (from comedies to melodramas and everything in between), I am more disposed to want to collect historical dramas than I am contemporary fictions. When it comes … Continue reading
The summer after I received my diploma in Romance Languages and Literatures and struck out into the world as a Medievalist, I happened upon I know-not-what Korean Drama on hulu and I could not take my eyes off the 16-episode tale so woeful that it wrung from me every last tear my lacrimal glands could produce, leaving me quite spent. Then I discovered DramaFever and for six months after that I drank … Continue reading
