Tag Archives: Goguryeo

주몽 (Jumong)

  “Trust is more important than life. Kill them all!” So declares Soseono (소서노) with admirable equanimity on her first outing as the leader of the trade troop owned by Yeontabal (연타발), Chief of Keru and Leader of the Jolbon (졸본) confederacy. Soseono is destined to inherit the troop from her father and this is her first opportunity to prove her mettle as a trader and to freely wield her authority as the troop leader. … Continue reading

More Galleries | 9 Notes

선덕여왕 (The Great Queen Seon Deok)

“Chess” may be the word best suited to conveying the drama of open-faced intrigue and gamesmanship that is 선덕여왕 (The Great Queen Seon Deok). The war between Princess Deokman (the future Queen Seon Deok) and the formidable Mi Shil for control of Silla is the stuff of epic. And perhaps because our contenders are both women, heroic prowess is here not framed in terms of brute force and naked aggression, but rather through strategic craft … Continue reading

More Galleries | 6 Notes

Notes on 자명고 (Ja Myung Go)

There is so much to say about Ja Myung Go, the first of which must be that it is beautifully complex… and also rather narratively intricate at the beginning. The complexity is wonderful: it is in the characters, in the political intrigue, in the lost history of Naklang, in the legend of Prince Hodong’s tragic love(s). But the initial narrative intricacy can be disorienting, especially since the significance of what happens in the … Continue reading

More Galleries | 20 Notes

Notes on 근초고왕 (King Geunchogo)

Ah! What a relief – an historical saga that feels like an historical saga! After the foamy travesty that was Kim Soo Ro and the less-than-solid despite its beauty Ja Myung Go, it is refreshing to once again happen upon a Goguryeo-era sageuk drama that has some of the appealing traits of Jumong. It is becoming increasingly clear to me as I watch this that among the elements that makes Jumong so engaging is the spot on mix of political … Continue reading

More Galleries | 8 Notes

Curio in KDramaland… (or, Through the Sageuk Lens)

I have been contemplating the virtues of the well made sageuk and what its persistent appeal to me (and maybe even to other viewers) might mean. Surely, something… It turns out that while I apparently have watched only one third as many sageuks as contemporary fictions (from comedies to melodramas and everything in between), I am more disposed to want to collect historical dramas than I am contemporary fictions. When it comes … Continue reading

More Galleries | 71 Notes